Amos Michael - Bloated Codfish Acting
- Amos Michael
- Bloated Codfish Acting
Great work, very nice especially for a first dialogue shot. Obviously you already have it very tied down, so here are just a few things that might help improve it.
-The head of the guy in the floor feels very light when moved by the speaker, it is pushed and moved far too easily for a head that is rested on the ground.
-I think there is a missed opportunity for some confusion and internal thoughts to show in the face after he says "is it you?", maybe he moves into his second wide eyed expression a touch too early. It would be nice to hold on his squinty look a bit longer so we feel him answering his question internally, which would be illustrated by his change of expression after the line. Also, I'm not sure what he is thinking when he he has his wide eyed look? Is he literally looking to see who he is? Or playing the part of a madman as he knew before he knelt down exactly who the guy was? I think it might be stronger to hold his 'angry eyes', and after he says "is it you?" add some eye darts to show some internal dialogue, or have him glance over more of the body on the ground as he makes his decision.
-After he says "it can't be" I see you have him look to the side, which is nice as it show's that he is still processing his thoughts. I think you could amplify this a bit with a blink or half blink, or maybe more of a squint as he changes his eye focus to the side.
-Arms: Watch out that you don't break the wrists, at around frame 180 the hand with the gun is at a complete right angle and looks broken. Also make sure to iron out the marionette/puppet feel the arms sometimes have, like they are being driven by the hands. His left arm snaps quite strangely at f180, to achieve this move you should add some twist to the chest as it's not affected by the arms at the moment.
-This is a style choice, but for me his head is a bit too 'floppy' as he stands up at the end.
Thanks for submitting, good look with the rest of your course!